Z/Web

Easily the worst of the plays at the festival this season. It’s mostly silly, but the exagerations of the performances seem to demean and take the play even lower than it should be. I also have a serious objection to an OSF policy of being racially blind during casting. While I certainly don’t think race should be a main factor in casting, it should be considered when characters are related. This play has a lot of characters already and I was completely confused when a black daughter had white parents and other racial confusions — I didn’t understand some of the relationships and had characters confused even after the play was over. This really hurt a lot of my understanding of the play and left me quite frustrated. If I could have asked for my money back, I would have on this issue alone, as I thought the production was shockingly poor. It’s just all confusion and trivialities.

A superior play and production, with a fantastic set of tree silhouettes in the background, brilliantly lit for different moods: sunset, cold winter, dark night, etc. The play is one Shakespeare’s most melodramatic and fanciful, with a magic ending. The plot deals with a king who becomes convinced that his wife has been unfaithful with his best friend, and despite everyone trying to convince him otherwise, he refuses to believe her baby is his and he orders her executed. This so upsets the gods that sixteen years of winter follow. Meanwhile, the king’s daughter is not dead — she has been hidden away and is now a beautiful sixteen year old, and of course is ready to be romanced by a prince, except that she’s not royalty — until, of course, it’s revealed that she is, and with her father remorseful and delighted to discover his daughter is alive and well, all is forgiven and happiness is restored. I really liked this play and the forced happy ending as the absurd elements fit together well. Great job and some really amazing acting by several characters.