Z/Web

Director: Roman Polanski

Is it possible to make a bad Holocaust film? With such drama and history, it seems difficult. This one is certainly moving, and even shocking: you’d think we’d have seen everything by now, but some of what the Nazi’s did is beyond comprehension. The story is the true story of Szpilman, Poland’s greatest pianist. The Germans take over Poland, put him and his family into the newly established “Jewish Sector,” and eventually kill his family. It’s a miracle he survived.

What I liked about this film is the way it’s so understated. Our protagonist isn’t a hero: he just a guy. I compare him to a rat. I don’t mean that in a negative sense, just that he’s a rat scrounging for survival, and every time you think he’s down, up he pops again. But it’s not really a survival story either: mostly the guy survives via luck and friends. He doesn’t particularly want to survive in some ways, he just does. It’s like he’s so overwhelmed by his circumstance he doesn’t know how to do anything else. Adrian Brody gives a terrific performance as Szpilman, especially toward the end when things get desperate.

Polanski is smart in his handling of the film: he just gets out of the way and lets the story tell itself. I didn’t notice one superfluous camera movement or transition: you just forget you’re watching a film and get wrapped up in the time period. It is a long film (over 2.5 hours) but every frame is important. One intriguing aspect that I felt was brilliant in retrospect (a bit of spoiler here) is that we don’t get to really see Szpilman play the piano until late in the film. Sure there’s a brief scene at the beginning, and a couple in the middle, but he’s not really playing. That’s wonderful, because part of Szpilman’s pain is that throughout the war he has no piano to play, and we, the audience, glimpse that pain through the subtle absence of his playing during most of the film. When he does play at the end, it’s a catharsis for both of us — we’ve both been aching for that moment. We’re overjoyed at his joy at being able to play again. Superb.

All that said, where does this film rank in cinema history? That’s difficult to say: it’s tough to criticize a Holocaust film without coming across as a brute. This is an excellent film, and I liked that it tells a different story of the war and shows us new images and a new perspective, but ultimately it can’t escape what it is: a Holocaust film. That tag carries a lot of baggage, and frankly, once you’ve seen once Holocaust film you’ve seen a portion of all others. There’s some new material here but it’s definitely not as original as The Pianist. I’m very glad I saw it, and I might watch it again on DVD, but like Schindler’s List, this is not a movie you want to watch over and over again. That diminishes it slightly in my book (for instance, it wouldn’t be in my top ten favorite films).