Z/Web

Author: Neil Gaiman

To demonstrate how good this book is, I’ll say this: I read it (238 pages) in one sitting (I started it this morning and finished it this afternoon). If there’s such a thing as an instant classic, this is it. Gaiman — most famous for his incredible Sandman graphic novels, is an amazing myth-making genius. This book is up there with Lord of the Rings and The Chronicles of Narnia. The tale is simple and pure and beautiful: a boy sets out to retrieve a fallen star to impress his girlfriend. The journey is magical and delightful and the fairie world Gaiman takes us to is believable (and reminiscent of the fantasy of George MacDonald). Gaiman’s use of wit, language, and incredible imagination makes this book a delight. For instance, one of the characters is enslaved by a witch. Asked if she’s a prisoner forever, she replies, "Not forever. I gain my freedom on the day the moon loses her daughter, if that occurs in a week when two Mondays come together." Hilarious! This book reminds me a lot of Clive Barker’s neat The Thief of Always in that it’s a modern take on fantasy, but I liked Stardust better. I’d love to recommend it for young kids but it does include a bit of "modern" language and some to the sexual scenes are unexpectedly graphic (elegantly written, but detailed); these don’t necessarily harm the story (they in fact add to the charm), but they do change the target audience. For adults who believe fantasy isn’t just for children, this is highly recommended. I can’t wait to read it again!

Author: David Weisberg & Douglas Cook

Director: Bruce Beresford

I’d seen a little about this, but while the concept intrigued me — a husband frames his wife for his murder and when she’s released double jeopardy means she can’t be tried for killing him a "second" time — and I’ve been a huge Ashely Judd fan since Ruby in Paradise, I was prepared for a typical Hollywood generic thriller. This one was definitely above average. Judd’s awesome in the lead role (which is good, as she’s in nearly every scene), and her relationship with parole officer Tommy Lee Jones is terrific. There’s some great action, some nice emotion, a few genuine scares. "Concept" movies like these are easy to do badly; this one is very well done, and while it doesn’t move much beyond the plot, it’s an enjoyable ride (and we get to watch Ashley Judd the whole time).