Sun, Dec 28, 2014

: Her

Director: Spike Jonze

I think I find my reactions to this movie more interesting than the movie itself. I was curious about this when it first came out. On the one hand, it sounded like something I would love: a quirky story about a lonely joe who falls in love with his computer. But on the other side, the promos insisted that this was a relationship with an operating system, which just made no sense at all.

(To anyone that knows anything about computers, operating systems are very low-level. Humans really don’t interact with them at all: we interact with programs which run above the operating system.)

This fundamental error of computer knowledge turned me off and made me skeptical about the film. Even though I respect the director and the reviews of the film were fantastic, I still hesitated to see the movie.

Now that I’ve seen it, I will say that it’s a fantastic film. It does, however, continue with the silly “operating system” error throughout, and there’s no reason for it — nothing about the film would change if they simply called it a “program” instead of an OS.

Beyond that error, almost everything else about this movie is flawless. The way the “OS” interacts with the human characters, the way the relationship slowly develops, and the existential crisis that’s at the heart of the everything is just wonderful and amazing. The plot is beautiful simple and elegant and tragically beautiful. It really makes you think about the nature of relationships and what it means to be human.

For instance, while the whole human-machine relationship sounds crazy, we see the human having “phone sex” with another human… and later he has a similar sexually-charged conversation with his computer. Both are just voices in his ear so we see how similar they are and suddenly a human-machine relationship — even a sexual one — doesn’t seem so unbelievable.

I also liked the world that this story is set within: just enough advanced from ours to be different, with more voice-controlled computers, which makes the human-machine interaction (via voice) seem like a natural evolution.

In terms of performances, everyone is just perfect. It’s my favorite Joaquin Phoenix role to date. He’s just amazing: funny, shy, confused, sweet, and dark all at once. Amy Adams is terrific as the sweet best friend. But most impressive of all is Scarlett Johansson as the voice of the computer — we never see her but she manages to express so much via her voice that it’s entirely believable that someone would fall in love with her, computer or not.

My only other complaint is that some of the swearing felt excessive and unneeded. At times it was entirely justified and appropriate, but many times it came out of left-field and was just awkward and weird, like hearing the F-word in a Disney film. I’m not sure why they did that. Sometimes it was for humor’s sake, but it didn’t always work.

But beyond those nitpicks, this really is an impressive and marvelous film. I really should have seen in the theatres.

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