Z/Web

Excellent film. Unfortunately, I must compare it to the book, since I read it first, and I have a difficult time divorcing the two. Visually, this film is a feast: masterfully done. But storywise there were a few mistakes and one improvement. First, the film makes light of why Griet is forced to become a maid — we briefly see her blind father, but we never see her giving her wages to her parents. That’s a critical aspect of the novel because she’s trapped, not for herself, but by the duty she feels to help her parents (she’s their only income and they are starving). The film left out the stories of her sibblings (sister who dies and brother who’s a tile apprentice), but that was for the best (they distract from the main story). The film also tones down the conflict between Catholicism and Protestantism. It’s mentioned, but never focused. In general I agree with that decision (though it was a fascinating part of the book), but one aspect of that — the way Griet reacts to the Catholic paintings in her cellar bedroom — was poorly implemented and could have been done better so that we got a reaction from her (have her cover the picture with a cloth, show her not sleeping because of the bloody paintings, etc.). The second big mistake was not showing us why Griet was such a good maid: the way she could clean Vermeer’s studio without moving stuff (a skill she learned from having a blind father who needed everything in the same place). In the book that was important (it’s how she got the job) and it showed her intelligence. There’s a brief reference — a “Don’t move anything” line — but that’s about it. We only see her cleaning one thing and not moving it, but the point needed to be better emphasized. The very ending was also a little muddled, making it unclear that she had chosen to marry Pieter. However, the film did a terrific job of realizing the character of Vermeer’s wife. In the book she was a shadow, but in the film she dominates: it’s a terrific performance full of glare and subtlty. She really is the most fleshed out of all characters. Griet is simple and very young; Vermeer is morose and quiet, lost in his own world; the grandmother only cares about money; complexity comes in the role of Vermeer’s wife, who seems the spoiled brat on the surface, but underneath knows her station and rebells against it the only way she knows how, through her connection to her husband. She’s jealous of Griet because Griet actually understands Vermeer’s work and seeing the girl reminds her that she is incapable of understanding it (which drives her mad). Great stuff. Overall, this is an excellent adapation of the book. Scarlet Johansson is amazing: she will go far despite being overlooked by Oscar. The pace of the film is a little slow (it’s only an hour thirty-five but feels like two), but that’s because there are many “still” scenes of artist staring at model, model staring at painter, etc. Despite my nitpicks, this is three thumbs way up.